作 者: ;
机构地区: 东莞理工学院文学院中文系
出 处: 《长江大学学报(社会科学版)》 2005年第1期32-37,45,共7页
摘 要: 大众化是中国左翼戏剧运动中所提出的最重要,讨论也最广泛的理论问题。它在戏剧与大众关系的向度上,有着独特的精神动力、主体诉求和现实归趋,并在其极端化倡导和原创性实践中显露出先锋姿态。 The popularization is the most important and widely discussed theoretical problem proposed in Chinese left-wing drama movement.The extent of the relations between drama and popularization it has distinctive spirit power,objective purpose and realistic tendency and it present its pioneer status by extreme advocate and original creation practice.